1. OutKast’s Stankonia is getting the reissue treatment to mark the record’s 20th anniversary this fall. fuck how didnt i notice this on the front page? It's almost as if Stankonia would be more memorable if the duo stuck to one sound, one rhythm, and one train of lyrical thought. Outkast's classic album Stankonia turns 20 this month, and even though the rap duo remain in hibernation, they will be celebrating the anniversary with a reissue. after having been out of vogue for years. This album makes you realize that. To celebrate the anniversary we rank the album’s songs (excluding interludes!) Disabling it will result in some disabled or missing features. I'm sorry Ms. Jackson (oh), I am. 4. It’s just two identical pieces of vinyl with only the second half of the album. It's only the place from which all funky things come. Jackson’. Those are weighty statements, but OutKast was OutKast—singular, inimitable, and unpredictable. You’ll have to hear this one to believe it. -- and I love what it stands for. Another song, another guest-spot, this time potty-mouthed CeeLo Green is ‘Stankonia’s visitor. On the intro to Stankonia —their fourth album, a thrill-pushing auricular splattering of mindfunks and ideascapes—they mimicked those copying … Album Rating: 5.0I would have thought it would have deserved more than a "4" by the review. Reviewed in the United States on October 29, 2019. "I'll call before I come, I won't just pop over out the blue. We Luv Deez Hoez This strangely infectious chorus offer a romantic gesture, insisting that everyone get’s theirs. We collect over 20 best-of-the-decade lists from leading music publications and websites, and reveal which albums turn up the most. Featuring more guests spots, the dirty club sound resonates impressively as the pair eloquently establish their signature sound. This is the 2nd greatest Outkast album (ATLiens #1) very original style and lyrics. The world's defining voice in music and pop culture since 1952. It was music that was tangential to crunk, a predecessor to trap, indebted to hip-hop, electro, funk, rock, and anything alternative—the type of music that usually succeeds on intellectual levels and rewards nerds, but not readily equating to an album that would sell more than 4 million copies. The backing tracks weren’t soundscapes as much as they are aural murals graffitied on the cosmic underpasses where abandoned tricked-out space shuttles rest, stripped of their Brougham rims. 13. Humble Mumble Identity and location—and defining and observing the two on their own terms—have always been key with OutKast. The record’s title track is the most experimental and sprawling tune, setting the stage astutely for 2003’s ‘Speakerboxx/The Love Below’. Reviewed in the United States on August 16, 2018. Emerging with brutal bass and flame-throwing lyrics, the pair insisted in production they wanted to defy the hip-hop formula, and the furious 155 BPM (unheard of in hip-hop) helped achieved it. It was released on October 31, 2000, by LaFace Records . Stankonia leaves nothing to be desired as it is energized by Outkast's clever lyrics coupled with their cutting edge production, which is an expansive take on the original Atlanta sound. Universal acclaim 5. Is it worth getting? I even played the first few seconds of each to make sure maybe just the labels Were wrong. OutKast’s Stankonia remains one of the jewels of the Atlanta duo’s catalog. OutKast’s Stankonia remains one of the jewels of the Atlanta duo’s catalog.With that album turning 20 on Halloween, it makes sense that its getting the reissue treatment. Jackson,” the Stankonia Remix of “So Fresh, So Clean” (featuring Snoop Dogg & Sleepy Brown). There are a lot of guests on the record, though they rarely outperform the main members of the group, Big Boi and Andre 3000. Drunk Remix of “Ms. Wrong Vinyl in jacket. This was both after wiping with two different microfiber cloths but upon inspection there are tiny dents in the record like someone poked them with the needle. Stankonia was OutKast's second straight masterstroke, an album just as ambitious, just as all-over-the-map, and even hookier than its predecessor. There's more bounce-to-the-ounce and less molasses in the jams, more delight and less braggadocio in the raps. Who finished on top? In response the pair penned one of the noughties’ best chorus’. With that album turning 20 on Halloween, it makes sense that its getting the reissue treatment. and "Ms. Jackson," 'Stankonia' was a commercial and critical hit for the innovative Atlanta hip-hop duo of Dré and Big Boi. 12. I love the deep Prince-ly funk that drives the largely satirical "So Fresh So Clean," the Bomb Squad-esque guitar workout behind "Gasoline Dreams" and the acid jungle groove on the unfreakingbelievable "B.O.B." Not one for the parties, unfortunately. Good job Ben. Yet OutKast is probably best defined by defying parameters and expectations. Ms Jackson Boi and Dre have impeccable chemistry, and their creative muse never rests on its laurels, resulting in a restless and often convoluted but thoughtful and endlessly entertaining piece of art. Not real happy. It's lavishly spottieottiedopaliscious, but somehow manages to have that raunchy stank only growing up in the mighty paradise known as the ATL can imbue in a man. Also a sneaky good album. And they want to take you on one funky ass ride. "Stankonia" is set to be rereleased in 24 bit and 360 Reality Audio on October 30. 9. Closing in on two decades after its release, Stankonia remains loud as bombs over Baghdad and humble as a mumble in the jungle. Super disappointed. You couldn't make a gem like this again if you put Sasquatch sweat excreted in a Georgia summer, Parliament, and 3 Bootsy Collins in the center of the earth for 30 billion years. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. (Bombs Over Baghdad),” which is on our list of the top 50 songs of the year 2000; “Ms. Genres: Southern Hip Hop. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. O meu álbum favorito da dupla, um dos primeiros álbuns a fazer a mistura de Pop e Rap e um dos únicos a fazerem perfeitamente. All of their albums began with a disembodied intro track as a prelude, followed by a State of the OutKast declaration that proved that, as André would famously go on to say at the 1995 Source Awards, “the South got something to say.” Tellingly, André confessed, “I gots a lot of shit up on my mind,” on “Myintrotoletuknow” from their 1994 debut Southernplayalisticadillacmuzik. By offering something for both the mind and the ass, to borrow from George Clinton's slogan, Outkast, like Gang of Four and Funkadelic before them, make revolution you can dance to. Take heed! Stankonia is an album about many things and full of epigrams; so ahead of the curve that one of its many double entendres—“I got a stick and want your automatic”—is now a bona fide triple entendre. It’s an understated hit single and the delightfully fun music video – featuring some serious jiving – confirms it’s legacy. Gangsta Sh*t Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z. While the cursing is unnecessary in most portions and some of the stank is a little forced by extraneous explicitness (some things are best left to the imagination) it is truly a wonderful album; a perfect example of OutKast's execution of esoteric Xtrafunky ecstasy. Toilet Tisha The album provided a critical yet playful take on modern America, while also pushing the musical expectations of what a hip-hop album can be – its experimental, rock-heavy and rave influenced sounds on the record inspired a new generation of musicians, from Janelle Monae to Kanye West. These are the 30 highest-scoring hip hop albums released since 2000. Not to say the album is better, although I think I liked it a little more. I know I complained about The College Dropout lasting over an hour and being peppered with pointless skits, thought the same issues didn't bother me as much with Stankonia for some reason. A fine piece of work. There are few words to describe this album other than the obvious: a bonifide stank symphony. On their astonishing new Stankonia (LaFace/Arista), Outkast explore their own disappointment with hip-hop's self-satisfied acquisitiveness. Your recently viewed items and featured recommendations, Select the department you want to search in, Reviewed in the United States on November 29, 2019. Album Rating: 4.0halfway decent review for a first one. 15 years ago this week (October 31, 2000), OutKast released their classic album ‘Stankonia’. Haven't heard so many songs from this album, but what I've heard is good. 15 years ago this week (October 31, 2000), OutKast released their classic album ‘Stankonia’. BOB The typical hip-hop video is filled with women in bikinis licking lollipops or ice cream cones and the music is usually formulaic and musician-free. What's this? OutKast - Stankonia review: Have you ever been to Stankonia? ‘Stankonia’s second single and their most commercially successful hit, details the breakup between Andre 3000 and a long time partner (rumoured to be previous guest Erkyah Badu). It’s a true pinnacle of OutKast’s creative output, one no other ‘Stankonia’ track could rival. Outkast's fourth album, Stankonia, is a far more complex effort than the critically acclaimed Aquemini. The Georgia aficionados provide another mischievous love song in this Big Boi only effort. Big Boi proclaims his love for women of the night as he details his explicit adventures in ATL. The “B.O.B.” bundle will feature previously released remixes by Cutmaster Swiff, Rage Against the Machine’s Zack de la Rocha  and Beat Bullies. As for the album itself, it will feature three previously unreleased remixes (in addition to the “B.O.B.” ones) including the Mr. The problem is that they come out of it all without having left any defining mark on the songs. Jackson” and “So Fresh, So Clean” that include a cappella versions of the songs along with assorted remixes and radio edits. Bought and had to return two different copies. 73008-26072-2; CD). There is so much going across Stankonia—the coordinated confetti of noises on “Gangsta Shit,” the uneasy meditation of teen pregnancy that is “Toilet Tisha,” the playful lasciviousness of “I’ll Call Before I Come,” the melodic menace of “Red Velvet,” the skits that spoke in metaphors to the subconscious via hood tongues, the arrangements and progressions that felt capricious, but totally natural. With producers Organized Noize playing a diminished role, Stankonia reclaims the duo's futuristic bent. While the cursing is unnecessary in most portions and some of the stank is a little forced by extraneous explicitness (some things are best left to the imagination) it is truly a wonderful album; a perfect example of OutKast's execution of esoteric Xtrafunky ecstasy. It was the music of Southern hip-hop, the “country rap tunes” pioneered by the late Pimp C, outfitted to a weary worldview that was cautious and specific about local dealings and paranoid about the greater world, but ultimately hopeful on universal levels—or, at least as hopeful as “Crumblin’ Erb” while “niggas killin’ niggas” can be. 8. On the intro to Stankonia—their fourth album, a thrill-pushing auricular splattering of mindfunks and ideascapes—they mimicked those copying them by playfully reinterpreting the Atlanta “bounce” that had been spreading as the distraction of babies. Lyrically, it far surpasses ‘Ms. Enjoy. At the summit of ‘Stankonia’s impossibly impressive track rankings, we find ‘So Fresh and So Clean’. It’s more accomplished than their biggest seller, the double-disc Speakerboxxx/The Love Below, which lacks the tension and dichotomy of André and Big Boi locked in a studio, warring with each other and themselves to the extent that created numbers like “Humble Mumble,” Stankonia’s breakbeat-ish, Caribbean-tinged track where Big Boi admonishes a simp with “Sloppy slippin’ in your pimpin’, nigga/You either pistol whip the nigga or you choke the trigger,” before André recalls speaking with a rap critic: “She said she thought hip-hop was only guns and alcohol/I said ‘Oh, hell naw!’/But, yet, it's that too.”, OutKast had always consisted of a politically conscious pimp and a spiritual gangsta, but on Stankonia, those identities came to the fore with a greater distinction that paradoxically allowed them to sound closer together than they had since their inception—even as André sat out songs like “Snappin’ & Trappin’” and “We Luv Deez Hoez.” On Stankonia’s first proper song, “Gasoline Dreams” Big Boi raps about their clout and the limits thereof—“Officer, get off us, sir/Don’t make me call [my label boss] L.A. 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