Barbara Hepworth Museum and Sculpture Garden. This is the version of our website addressed to speakers of English in the United States. Her work exemplifies Modernism and in particular modern sculpture. Relatively few plasters in the Plaster studio were used to cast bronze editions. Hepworth was a very prolific sculptor, and produced over six hundred works of art over her lifetime, including many works of public art in England and across Europe. She had not previously used either plaster or maquettes in this way. amazing sculptures in the garden where u can also see the 2 authentic workshops of Barbara Hepworth Hepworth used both of the studios for her plasters, according to her needs, as well of course as the yard whenever the weather allowed (she always worked outside as much as possible). This was done by George Wilkinson, Barbara's assistant who stayed on after her death, working to Bowness's instructions. The Museum has been owned and run by Tate since 1980. I am really impressed about this museum more, Recommended experiences in and around St Ives. These are solid plasters, without armatures. Hotels near Barbara Hepworth Museum and Sculpture Garden: What restaurants are near Barbara Hepworth Museum and Sculpture Garden? Over twenty sculptures can be found along the route through the garden, many laid in position by Hepworth herself. This ticket includes entry to Tate St Ives, which you can enter after visiting the Barbara Hepworth Museum. There are two sequences of photographs that record the studios as they were shortly after Hepworth's death. If you want to find things to do in the area, you might like to visit St Ives Harbour and Porthminster Beach. Dame Jocelyn Barbara Hepworth DBE (10 January 1903 20 May 1975) was an English artist and sculptor. Also included visit to the Tate which was also fab. He wanted to retain the atmosphere of an artist's house and workplace, and not to create the feeling of a museum as far as possible. Hepworth initially used the large upper room of the house primarily for her wood-carving (she was still living at Chy-an-Kerris, the family home in Carbis Bay, for the first year). These appear to be examples of a new departure in Hepworth's working methods, of making small plaster maquettes for her large multi-part marble carvings and bronzes (some have titles inscribed on them from The Family of Man). Some other larger plasters were made in the Palais, for example Single Form (Memorial). Cleaning and waxing has also brought out the tool marks that were made by Hepworth over the surface in the wet plaster prototype from which the bronze was cast. In preparing the two studios for opening as part of the Museum, perhaps the most significant change was to move the plaster Delos II (1973-, BH 573) from the carving studio up to the plaster studio (it had probably been moved down to the stone studio in readiness for the foundry). This was altered in 1957 to the form we know today, being raised to the same height as the upper studio, with large ten foot doors. In Tate St Ives, learn about the histories and ideas of Modern Art in St Ives. Access to the upper studio was only through the door from the carving studio, so its use was restricted. Exiting into the sculpture garden, you can visit Hepworths stone and plaster workshops and the sculpture yard. The lower floor of the museum is currently not accessible by wheelchair, however a handbook including photographs and detailed description of this space is available to support your visit. The studio was established as the Barbara Hepworth Museum and Sculpture Garden the year after Hepworth's death in 1975, and has been managed by Tate since 1980. Check our Barbara Hepworth Museum page before you travel. Restaurants near Barbara Hepworth Museum and Sculpture Garden: Continue your visit to www.tripadvisor.co.uk, Things to do near Barbara Hepworth Museum and Sculpture Garden. Barbara Hepworth Museum and Tate St Ives You can visit all the spaces on this route, as long as you follow the one-way system designed to keep all visitors safe. At Trewyn what she had, effectively, were a large shed (described as a 'store' in the catalogue to the auction at which she bought Trewyn) and a greenhouse. And there is another trace of the Meridian series - the numbered grid that was drawn on a piece of board, placed behind the plaster for Garden Sculpture (Model for Meridian), 1958, and used to scale the model up (it echoes the curved wall behind Meridian at State House). Hepworth acquired Trewyn Studio in the centre of St Ives in September 1949 and immediately began working there; she also lived there permanently from December 1950 until her death. 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