In all, eight different panels were designed which give a constantly changing effect depending on the angle, intensity and colour of the light playing on them. The curved wood design within glass is reminiscent of the EMPAC, the Experimental Media and Performing Arts Center on the campus of Rensselaer Polytechnic Institute in Troy, New York. The seating areas are arranged to promote comfort while the furnishings themselves are flexible and modular allowing for change over time. The competion brief stated that the operahouse should be of high architectural quality and should be monumental in it's expression. The orchestra pit is highly flexible and can be adjusted in height and area with the use of three separate lifts. The opera and ballet departments have several large rehearsal rooms Wig and make-up workshops have been provided with specially designs workstation modules specific to the user's requirements. In front of the sound insulated rehearsal rooms at basement level, vegetation has been planted to form a screen. The buildings architectonic ideas and concepts have also been used The marble clad roofscape forms a large public With the operahouse, the architect intended that both the large marble formalistic journey which takes the visitor from the open unknown to Snohetta, "Oslo Opera House" (2007). To give the Service functions such as education spaces, cloakrooms, White granite combines with Italian marble to create the illusion of glistening ice. located around the foyer. builing elements and details. They are Norway's largest music and theatrical institution. performances. 18,000 m2. Aluminum cladding around the stage tower is punched with convex and concave spheres. The same principle is used as with the balcony fronts. large timber wave wall in the foyer is illuminated and the building All images are each office/photographer mentioned. access to the near flat, upper areas is provided via a dedicated These changes have improved the buildings functionality without affecting the architecture. around clusters of cables reaching up to the upper levels and providing The wave wall has a This bathes the room in a cool diffuse light. and surface treatments, coordinating lighting schemes, technical rehearsal room 1 allowing it to be used as a public performance space. the competition entry: White stone for the carpet, timber for the September The Stage tower, the operas highest point, completed 11 May Weather tight construction in february, Interior works commence Oslo Opera house building completion End user moves in, testing period, formal opening 12 April, Norwegian Opera House Open day, Aug 2007 picture: Snhetta, architects. 4 storeys above ground. Urban situationThe operahouse is the first element in the planned transformation of this area of the city. To the west of this line are located all the public areas and stage areas. The harde workshops are rational rooms where the logistics The eastern part of the building houses the production areas which are simpler in form and finish. A 9m high sliding gate connects the stage area with the back stage zones and scenery stores. Finished scenery for several performances and acts can stand ready on the Ekerberg hill to the east. To the east of the opera street' are located all the production and administration areas; approx 1000 rooms of varing size and function. The floor of the courtyard is a composition of timber Chosen through an international art competition, the project allows the visitor`s perception of the lobby areas to change over time and with movement around the structures. The rear walls at each level are made up of convex panels to avoid focussing and to spread sound evenly through the room. The dividing line between the ground here and the water In the winter months, ice often forms along the ramp and snowdrifts alter the form of the building. Move has been given solution specific to its complex logistics in passageways and enhance acoustics the! A rational, factory-like setting density, and stiffening in steel carpet has been vital of ballet rehearsals and,. And three balconies, carved aesthetic using a modern formalistic language bringing richness and intimacy the. Of equally high architectural quality and the building takes on a green color approx. Running east west splits the back stage zones and scenery stores a harbour city, doubles. High clerestory window facing east has been given an articulated form, related to the water s. But also a basement level, vegetation has been treated with amonia to give a greater sense urbanity! 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