Here, the still Virgin contrasts with the landscape, where the varying shapes of the clouds, from thin and wispy to f... An elderly man, barefoot and with an impressive grey beard, is perched on a rock, engrossed in a book. The text accompanying The Agony in the Garden reads: "And there appeared an angel unto him from heaven, strengthening him. The artist had earlier been preoccupied with the nature of evil and the duality of human nature, but seemingly emerged and found hope through the ideal of salvation through Christ. The angel supports Christ as he leans back, crying out in agony. [3][4][5][6], In his encyclical Miserentissimus Redemptor on reparations, Pope Pius XI called Acts of Reparation to Jesus Christ a duty for Catholics and referred to them as "some sort of compensation to be rendered for the injury" with respect to the sufferings of Jesus. Giovanni’s version is closer to the drawn scene – both have gently rounded forms and sinuous lines, also found in the large expanses of sandy earth, the swirling dirt tracks and the cliff faces which look as though they have been eroded by desert winds. Having ended his prayer, Jesus returned to the apostles, crossing the plank that bridges the stream of Cedron (Kidron). Caroline Campbell, Head of Curatorial, discusses 'The Agony in the Garden', by Giovanni Bellini, an incredible painting by one of the most influential and celebrated Venetian artists. This picture was thought to be by the artist’s assistants, but recent technical analysis showed that it was made by Bellini. Deeply sorrowful, Christ bends and lays his hand gently on James. This category only includes cookies that ensures basic functionalities and security features of the website. The Agony in the Garden was bequeathed by Blake collector Graham Robertson to the National Trust in 1948. There is no attempt at historical accuracy. Two inner lines converge on Christ's palms, evoking the nails driven through him during his crucifixion. This soft, warm light gilds the entire scene. The scene shows Bellini experimenting with elements of Mantegna’s style. Keynes, Geoffrey. 6 Ways to Get Rid of Mushrooms – Garden Weasel The clearest sign of Bellini’s debt to Mantegna is in his attempt to copy one of the sleeping disciples from his version. After the Last Supper Jesus went to the garden of Gethsemane. Your email address will not be published. Burton B. Fredericksen and Federico Zeri. He commented: "The spirit is willing, but the flesh is weak". License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Inventory number P008156 Author Morales, Luis de Title The Agony in the Garden Date Ca. 1545 Technique Oil Support Panel Dimension Height: 85 cm. This website uses cookies to improve your experience while you navigate through the website. This reference to Christ’s torture links the chalice to the cup which bore the Eucharistic wine – shared by all at Mass and believed to transform into Christ’s blood. Nevertheless, let it be as You, not I, would have it." Three vaguely described, almost ghostly, disciples kneel in the dark trees to either side. Mantegna was based in Padua, near Venice, and it’s likely that Bellini was also working there for a short time in the 1450s. A serpent creeping out of a crevice foretells the arrival of Judas with the soldiers, who will soon march down the road from Jerusalem. Some such prayers are provided in the Raccolta Catholic prayer book (approved by a Decree of 1854, and published by the Holy See in 1898) which also includes prayers as Acts of Reparation to the Virgin Mary. Controlling Mushrooms | Bioadvanced All agony in the garden paintings ship within 48 hours and include a 30-day money-back guarantee. These Acts of Reparation to Jesus Christ do not involve a petition for a living or dead beneficiary, but aim to "repair the sins" against Jesus. We also use third-party cookies that help us analyze and understand how you use this website. This image is licensed for non-commercial use under a Creative Commons agreement. Giovanni Bellini was born into a prominent family of painters and lived in Venice his entire life, from c. 1430-1516. Christ’s disciple Judas – visible just beyond the river, leading a group of soldiers to Christ – has betrayed him. Both from the darkness of mankind are almost certainly based upon very detailed.! 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